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Warpigs
A clipping from The Times, 9th May 1970.
These belong to a friend/colleague who saw Sabbath twice in the early days. As far as he recalls, the Mayfair show at the Bullring was just after the release of Paranoid. As the poster says, this was just prior to a US tour that contributed .
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A collection of photographs taken at Henry's Blues House. The artists include: Brewers Droop (photos 1 through 4), Champion Jack Dupree (photos 5-6), Earth (or a very early Black Sabbath) (photos 7-8), Reverend Gary Davis (photos 9-13), Simon Prager & Steve Rye (photos 14-16).
Ticket for a Gig that was cancelled, just as Sabbath hit the big time
Henry's Blues House advert
'Sabbath Bloody Sabbath' on vinyl
Vertigo in house 4 track sampler for vol4 acetate
Ozzy feature in Birmingham Mail 30th July 1976
i found this in parking lot at the anahiem stadium concert back in '78
None More Black!
Clearwell Castle
Garment featured in the original 1975 Black Sabbath 'Sabotage Tour' program by Martyn Dean. Also featured on the official Black Sabbath Instagram page. Obtained from a relative of the band and in my private collection since 1980.
Music article (from approximately 1974) in which Tony Iommi discusses his factory injury and how Django was his inspiration to continue to play music.
By John Diggins "I was first introduced to Tony back in 1970 when working with John Birch, who was a pioneer of custom made pick-ups making them in such a way that they were mechanically noiseless. In those days Tony used a beautiful Gibson cherry red SG special that had been fitted with some of John’s early pick-ups in the stainless steel covers. It was this guitar that I used as the blueprint for the contours on our own SG. In the following years Tony and I became good friends as I was able to solve some of the niggling intonation problems that he had suffered for many years. He aslo had some of the early prototype John Birch guitars, such as a 24 fret Les Paul shape (pictured) and the first 24 fret black SG with crucifix inlays and stainless steel scratchplate, which he used up until about 1980. I couldn’t make the guitar in John Birches time so I made it at home. It was made on the kitchen table and was completed in about 2 weeks. The lacquer was still soft when it was taken to the US, and it was this factor combined with severe changes in temperature and humidity that caused the paint to crack and flake off, giving the ‘Old Boy’ the well worn look that it has today. The guitar was not given a proper unveiling until I had produced the pick-ups that could deliver the sound that Tony was happy with.The Jaydee ‘Old Boy’ SG has become one of Tony’s favourites and it is still used today.
From my 62 years old mate shirts collection. The senile fool can't remenber when he purchased it ;) I would think it's from the late seventies. Iron on transfer as they use to do back then. Quite faded but nice one though.
Philip Osborne describes the gig. Some sources state that the gigs took place on 12th/13th of the month following a PA blow out.
Black Sabbath article from the music newspaper 'Sounds', dated March 2nd 1974. Price - 7p!
Black Sabbath Vol.4 on vinyl
Black Sabbath photos from Glasgow gig (1970s)